“Neutron imaging gives researchers new tools for exploring artifacts and ancient technology”
Brown University School of Engineering Professor Brian Sheldon is the co-principal investigator on an exciting colloborative project that also includes Brown's Joukowsky Institute for Archaeology
For the first time at Oak Ridge National Laboratory (ORNL), neutron images in three dimensions (3-D) have been taken of rare archaeological artifacts. Bronze and brass artifacts excavated at the ancient city of Petra, in present day Jordan, were recently imaged in 3-D using neutrons at the High Flux Isotope Reactor’s CG-1D neutron imaging instrument.
The neutron imaging technique gives eager archeologists and ancient historians significant, and otherwise wholly inaccessible, insight into the manufacturing and lives of cultures that once occupied settlements within the Roman Empire, Middle East, and Colonial-Period New England.
The samples imaged in 3D in August came from the collections of the Joukowsky Institute for Archaeology and the Ancient World at Brown University. They include an elaborate hanging bronze oil lamp, a large Roman coin, and—most charmingly—a standing dog figure, which might have been either a religious dedication or perhaps a toy. Although their original provenance is unknown, they are all excellent examples of common metal finds from antiquity.
Principal investigator (PI) Krysta Ryzewski, an assistant professor of anthropology at Wayne State University, and her co-PI Brian W. Sheldon, professor of engineering at Brown University, were loaned the artifacts for study from professor Susan E. Alcock, director of Brown’s Joukowsky Institute.
In earlier work, the team conducted two-dimensional imaging of copper alloy (bronze and brass) artifacts both from Petra and from Greene Farm, a colonial-period plantation in Rhode Island. The samples include artifacts from daily life: a clothing buckle, a knife, and some building hardware.
Top: photo of ancient Greek lamp. Bottom: neutron radiograph of the same lamp.
One circular object from Petra was so corroded that it was unidentifiable. But when it was imaged with neutrons, underneath was a piece of jewelry, probably an earring. Petra is most famous as a trading center in ancient times, connecting the Mediterranean world with places as far away as India and China. It was the capital of an independent kingdom of the Nabataeans, until the emperor Trajan incorporated it into the Roman Empire in the early second century A.D.
The earlier imaging and analysis resolved some questions of object identity and raised many new ones about the techniques and materials that crafts people in the past used to make these objects. “We can also examine certain objects (such as the knife or the bronze lamp) to look for trace residues of the oil once burned in the lamp or what the knife was used to cut,” says Ryzewski.
“I first learned of the developing neutron imaging instruments at Oak Ridge in my conversations with Hassina Bilheux (lead instrument scientist for CG-1D). At the time I was a postdoctoral fellow in archaeology and engineering at Brown. I attended a neutron imaging workshop at SNS in November 2008, and became the only archaeologist to be part of the VENUS instrument development team. Brian Sheldon at Brown also joined then. We have been collaborating on all of the experiments with Hassina at SNS and HFIR,” she says.
The neutron imaging beam line is a huge step forward for these scholars. “Archaeologists and scientists can obtain relatively little information about the manufacture of archaeomaterials, ancient objects, and the materials from which they are constructed from external surfaces alone,” says Ryzewski. “Very few historical accounts describe the construction of such objects and archaeomaterials, ancient bronzes, or ceramic vessels. The only source of information about how these objects were constructed comes from their material properties and composition.”
Archaeological objects are reviewed as unique cultural resources. Earlier analysis often entailed extracting a sample from such an object, which meant damage and sometimes even wholesale destruction of an artifact so it could be mounted effectively for analysis. Analysts’ necessarily conservative treatment of archaeomaterials left many questions unanswered.
Imaging archaeological objects comprehensively and systematically with neutrons only became possible with the development of the CG-1D prototype beam line. Neutron activation analysis and neutron imaging at Oak Ridge means scholars can now conduct detailed, nondestructive analysis of samples. “There currently exist a vast array of archaeological objects and research questions about ancient and historical technological development that can now be posed,” says Ryzewski. “The CG-1D beam line has offered us an invaluable alternative for performing nondestructive, noninvasive analysis.”
CG-1D data can reveal the raw materials used, the manufacturing techniques, the historical development of alloys and composite materials and the geological origins of ores and clay. On the cultural side, researchers can learn about the activities of ancient people’s daily lives that such objects served.
“Archaeologists can now begin to precisely reconstruct past networks and patterns of resource extraction, trade and exchange, environmental impacts of industrial activities on ancient landscapes, and the transmission of craft production traditions over time,” Ryzewski says. “These are some of the sorts of questions that our current research and experiments are designed to address.“
The 3-D neutron imaging and quantitative analysis occurs at an instrument that is a time-of-flight beam line, with a chopper for producing pulses of neutrons to take noninvasive images. Neutrons, rather than x-rays, do the work.
“Part of our early work was to test the parameters of the instrument and how we might need to adjust the instrumentation to suit the artifacts, which tend to vary in composition, size, and density,” Ryzewski says.
“We anticipated that we would be able to see beneath the surface and find evidence of manufacturing steps (mold seams), impurities or other organic inclusions in the metals, residue from the objects’ use, and microstructural or compositional elements,” she says.
Their data are still being processed, but preliminary results from the bronze lamp suggest that they will be able to see and examine aspects of all of these areas of interest once the 3-D data are compiled.
“Our work is still in its early stages. We hope to reexamine these objects in further rounds of testing in 2012. We will expand our sample base to other types of metal artifacts, perhaps some excavated from shipwrecks. We hope to examine ceramic artifacts as well, Ryzewski says.
More broadly, the scholars may be in a position to offer information to scientists who specialize in the conservation and stabilization of museum collections. Other findings may provide insights into materials behavior of interest to materials science. “Each round of experiments raises many more questions about the materials in the object and about the instrumentation itself,” Ryzewski says.
This fall the researchers will return to HFIR to image some of the bronze objects for Bragg-edge peaks in the materials. Collaborating with Ryzewski and Sheldon are Bilheux and Lakeisha Walker of SNS and Susan Herringer, a doctoral student in materials science engineering at Brown and the Joukowsky Institute.
The group will publish their results in both archaeological and neutron sciences academic publications. In addition, they will present their initial findings at the annual Society for American Archaeology meetings in Memphis in April 2012.
Courtesy of Oak Ridge National Laboratory/Written by Agatha Bardoel
Rick and Nancy were both professionals whose work took them all over the world. He founded and managed the aerospace engineering company AeroAstro, while Nancy managed arts organizations including American Ballet Theater and the J.F. Kennedy Center. Rick also wrote books and taught aerospace engineering as an adjunct professor, while Nancy continued to practice and teach ballet.
